The Vicente Arias guitar that I worked on earlier on in the year has been attracting alot of attention, so I thought I would post a few more images of it. Apparently this guitar was selected by Julian Bream for a cousin who wished to play guitar, although Bream has not been personally associated with Arias guitars to my knowledge. This is a plainly decorated guitar but the picture of the rosette illustrates the precise and delicate nature of the workmanship.
The bridge had lifted badly and so needed to be removed and re-glued. The picture above shows part of the process, and an original locating mark on the soundboard. The bridge is very dark, plain rosewood and completely unadorned.
This picture of the heel shows some delicate and graceful carving.
The label is incredibly faded and is not the later, and more familiar, 'medallion' type.The picture below is of the headstock with a fine piece of Brazilian rosewood as the facing.
These final pictures show some internal details. The picture above shows the foot, or slipper (and some old repair cleats) and the picture below is a detail of the back bar, bent lining and side support.
Hello David,
ReplyDeleteI'm very curious to learn how the sound is as
I'm the one in the posession of a double back
Vicente Arias. That is an outstanding instrument with so much delicacy in its' tone
It also reacts immediately at the different
spots where you hit the strings.
I've recorded some pieces on this arias as well
as on a José Ramirez clase 1A that is an industry standard.
all the best,
Noud (acakoevoets@kpnmail.nl)