The wrong kind of strings and too many of them as well. In over 23 years of running a guitar making workshop, this is the first time ever that I have had a pair of 12 strings on the bench, so worth a mention I feel. I enjoy seeing steel strings and have even been made 1 or 2. These 3 are in for some adjustment.At the front is a John Kinnaird baritone 12, based on the Stella that Leadbelly played, and it has a really impressive sound. Paul's Yamaha needs the action bringing down a bit as did the Collings at the back. I like Collings although they represent a different guitar world from the one I know. Although there are some profound differences between steel string guitar technology and classical guitar, there is always something I can learn and enjoy from studying a good steel strung guitar.
Thursday, 18 November 2010
The wrong sort of strings...
The wrong kind of strings and too many of them as well. In over 23 years of running a guitar making workshop, this is the first time ever that I have had a pair of 12 strings on the bench, so worth a mention I feel. I enjoy seeing steel strings and have even been made 1 or 2. These 3 are in for some adjustment.At the front is a John Kinnaird baritone 12, based on the Stella that Leadbelly played, and it has a really impressive sound. Paul's Yamaha needs the action bringing down a bit as did the Collings at the back. I like Collings although they represent a different guitar world from the one I know. Although there are some profound differences between steel string guitar technology and classical guitar, there is always something I can learn and enjoy from studying a good steel strung guitar.
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